incl strong ulrich schnauss remix

ltd 7 inch , a side with disco , b side for the soul / funk head

solo output by new york artist keke hunt.

nappy mayers bangs the disco floor with tis strong espacial discos output

remastered re-issue on white vinyl, limited to 500 hand-numbered copies.

1992 hardcore club classic from kev bird. originally kev bird’s second release on the basement records label made famous by in-house producer jack smooth. 3 slices of pure hardcore jungle techno lead by the seminal ‘this is a trip’ are taken from the original dat master tape and get the full sound entity remastering treatment to bring the sound right up to date with current standards.

momentum beinhaltet eine sammlung von unveroeffentlichten oder bislang nur digital erhältlichen hip hop-instrumentals inklusive diverse kollaborationen mit natureboy flako.

following hivers excellent ep, let recordings again welcomes american dj and producer jon hester to their imprint. currently based in berlin but with previous spells in chicago and minneapolis, he returns to the label for a second ep following 2017s communication ep, and other outings on the likes of rekids and dystopian. his adventurous drum programming and high speed techno style kicks things off with radiance, a manically melodic track that takes you on an energetic trip. impermanence is a deeper, more cinematic piece that features rueful pads but still a driving drum line, then stratospheric has huge, hammering kick drums and squelchy synth sounds as well as dancing keys that bring warmth, groove, and soul. last of all, this high class excursion is completed with horizon, delivering barreling drum patterns and edgy pads that trap you in suspense as it races on. all four tracks deliver a high impact techno sound that very much looks to the future.

an evergreen disco-funk-calypso record, bunny mack’s ‘let me love you’ from 1980 was the first commercial hit for the sierra-leone-born composer and is now available alongside remixes by dj gregory and moplen on this unmissable 12” vinyl package. perfectly suited to dj gregory’s world fusion sensibilities, he worked a remix for defected in 2008, laying down additional percussion and emphasizing the electric guitar riffs. italian dj and vinyl junkie moplen introduces organ chords and synths in keeping with bunny mack’s afro roots on his brand-new remix discolypsomix. completed by an accapella version courtesy of bunny mack himself, this is another stellar lightbulb moment of rediscovery from 4 to the floor

simply put, don’t leave me this way gathers together some of the greatest dance records you’ll hear in one place. from the perennial traditional floor fillers such as gloria gaynor’s ‘i will survive’ and rose royce’s ‘car wash’, to classics that paved the way for disco (manu dibango’s ‘soul makossa’ and ‘love’s theme’ by barry white’s love unlimited orchestra), and groove extravaganzas such as hamilton bohannon’s ‘let’s start the dance’ and ohio players’ ‘fire’ - these are 20 tracks of sheer joy. compiled by daryl easlea, the author of acclaimed book everybody dance: chic and the politics of disco, don’t leave me the way is an instant party on two lps. comes with download code.

the first release on a relaunched rotation records from label boss, dave angel. a special inside out club cut. big room techno

the donna smith experience’s “desire ep” is the 2nd edit release from this is our time. also, it is the first time that the glittering part of imre kiss wonderful soul is materialising on vinyl. these lustful tracks are just like going for a walk on a sweaty summer night which eventually turns out to be the best time of your life filled with dancing, flirting effortlessly & after a kiss falling in love for the last time. it is our soundtrack for the warm months, let it be yours too.

a vinyl album containing the dozen solo tracks mary recorded for modern in the 60s and two gospel-soul essentials from the 80s.

contemporary disco remix guru moplen steps up to the salsoul archive and turns in 2 absolutely stellar reworks of some solid evergreens. always remixing and reworking with the utmost respect and understanding moplen takes these classics into a new direction, working from the stems and retaining the funk, soul and grooves of the og s. the disco mix market is a busy one these days with lots of people taking a shot at the classics in their bedrooms, but not these, these are legit, heavyweight mixes created by someone who knows! candido s jingo sounds completely fresh, beginning with a totally unheard first few bars, rearranged piano motifs and dubby sounds bristle up against the percussion, all with an even heavier focus on the cuban, latin roots of candido camero s sound, amazing! you ve heard this one before, but not like this. on the flip is first choice s all-out anthem let no man put asunder - again a truly original reimagining of a stone-cold classic, using the percussions and infamous vocal vamps to devastating effect, absolutely essential versions here. moplen has truly done the business. this limited reissue has been made in conjunction with above board distribution and salsoul records, 100% sanctioned and lovingly re-presented for your dancing pleasure. this one is hot. sleep at your peril!

botanic records presents let love kill: a new ep by experimental malaysian drummer reza othman, otherwise known as rao. fully-formed but deliberately unpolished, the release presents itself as a meditation of found sounds, ambient samples and ultimately enthralling diy sonic landscapes.

the 3rd album from eric b. & rakim, originally released in 1990, now back on 180 gram double vinyl with download code included.

philippe cohen solal (of gotan project) celebrates the 50th anniversary of summer of love, covering one of its anthems “aquarius / let the sunshine in” of hair the musical which premiered on stage in october 1967. a complex but soothing modern reggae moombathon riddim carried by the ethereal harmonies of legendary jamaican reggae singer horace andy (massive attack, skylarking, ain’t no sunshine...) with a delivering coda sung by an empowering choir.
¡ya basta! records asked two legends of the underground scene, somewhat connected to the spirituality of the song, to remix this take. first with an afro house / deep-house take of the master of the genre @boddhi-satva, and jack of all trades, mashup virtuoso @jstar-1 (remixer of major lazer / dj vadim...) for a retro catchy drum n bass/uk bass remix. finally lazy flow and face-t deliver a dancehall filler of a remix.

there s only one haus - it s dj haus! we re happy to continue the journey with uttu label boss !

„let me in“, einer der beliebtesten songs von dives letztem album „underneath“ bekommt ein limitiertes vinyl-release mit zwei exklusiven mixen des titelstückes, plus zwei exklusiven, neuen tracks. mit treibenden rhythmen und eingängigen sequenzen, die sich in faszinierender weise an dirk ivens bohrend-heiserer stimme reiben, ist „let me in“ ein fesselnder mix aus fiebertraum und club-song. die neue dive-maxi enthält diesen hypnotische floor filler in zwei bis dato nicht veröffentlichten mixen von mildreda und attacke. hinzu kommen das ambient-instrumental „hollie“ und das wunderbar rohe suicide-cover, „i remember“, als exklusivtracks. das streng limiterte sammlerstück erscheint auf 180g vinyl, mit edlem coverartwork und ist ein muss für alle fans von dirk ivens musik und für alle liebhaber von liebevoll aufgemachten underground-vinyl-veröffentlichungen.

parisian djs duo cléon & jazzy pidjay are back as last bongo in paris, with a hot new 7inch filled with latin & brazilian soul-funk vibes... with raw drums, heavy breaks and jazzy flavor, these 2 new tracks should please all groove lovers for christmas!! cléon & jazzy pidjay have been united through their love of music and hip-hop culture for a while. dj cleon is one of the finest producers in france for breakdance battle breaks, also known as a fine wax digger, mixing all kinds of music together, such as disco, funk, soul, jazz, break-beat, hip-hop and more old and new records. alongside his mate jazzy pidjay and his great production and mixing’ skills, they give a new dancefloor life to hidden and forgotten musical treasures, through funky uptempo tracks.

brazilian girls return in 2018 with let’s make love, their first album since 2008. formed in 2003, the group—sabina sciubba (lead vocals, electronics), jesse murphy (bass, vocals), didi gutman (keyboards, vocals), aaron johnston (drums, percussion, vocals)—was born after the four members crossed paths at east village club nublu. “somehow we all ended up at nublu on a sunday and it all came together,” says johnston. the band began playing nublu weekly, embracing a free-form ethos that helped shape their kaleidoscopic sound. “a lot of the spirit of the band comes from being so open to improvise like that,” says murphy. fast earning attention for their euphoric live show—and winning fans like zach galifianakis, who later cast sciubba as a regular on baskets—brazilian girls released their self-titled debut in 2005 and sophomore album talk to la bomb in 2006.

two jean carn seminal hits combined for rsd. was that all it was is a big hitting disco exploration with hints of jeans gospel choir background coming to the fore. the flip houses the classic dont let it go to your head covered on many an occasion since it s release back in 78.

ltd 1 per customer !! french disco auteur dimitri from paris le edits imprint is proud to present a very special and limited record store day release for 2018. le edits burst onto the music scene in 2017 with the highest quality re-workings of stone-cold disco classics and rarities for the discerning record buyer, striving to present the best possible product in a world of cheap bootlegs. this particular release has been in the works for the last 18 months and has been conceived with all copyright owners’ blessings. using only the finest materials available, sourced from multiple countries across the globe, as well as top shelf engineering and mastering - this product cost 4 times as much to produce than your average disco edit 12’’ because le edits believe in quality first and foremost. strictly limited to 300 copies, hand numbered and signed by dimitri from paris - no re-issue guaranteed. utilising the highest end tip-on heavy duty gatefold sleeve, and inner protective sleeves, pressed onto 100% virgin vinyl and housed in a handsome protective plastic cover and exclusive printed tote bag. these new mixes have been commissioned for rsd 2018 and will not be available digitally. a truly collectible and desirable item indeed.

remastered from original tapes. classic rare early house jam from 1992 on trax offshoot saber records. re issued in original artwork and with killer b sides.

a timely repress of a true underground club classic and rarity, disco / boogie / funk heads take note. larry wu wedgeworth dropped this sublime piece of boogie in 1984 on the atlantic label and both sides have long been firm favourites with serious soul aficionados for many years. let me show you was one of numerous major label dance records from that golden mid 80s post-disco era that caused a storm in the underground clubs of the day. this one s long been sought after on 12inch and has been bootlegged numerous times, often with inferior sound quality and no care taken, not this time though, this high quality, official, 100% legit reissue has been lovingly remastered by above board distribution in conjunction with atlantic records from the master tapes. beat that. both the original vocal mix and dub version are included here with og atlantic label artwork. dont waste your time on the fakes! this one s the real deal!

one of the most mysterious and outsider soca 45s out there by h.m. these eyes timothy. the a-side let me love sounds like doo wop recorded with oluko imo s gear. and the b-side soca hustle sounds like the residents jamming a marvin whoremonger song with augustus pablo. the original 45 is so obscure that even his siblings didnt know that he made music. and rumour has it that, frustrated by its lack of success, michael threw most of the copies of the 45 in the valley beside his family s house in the hills just outside port of spain. one-time pressing of 500 copies

2018 repress incoming!
second ep from the danish duo containing two solid house tracks.

viers clocks back in on figure duty, showing up with up for another strong statement of his unmistakenly singular style. here he is working it from all angles: straight up and searingly stoic techno opener let my mind breath is grinding away grittily, while things turn surprisingly bouncy, as genesis dishes out electrifying boom-bap-breakbeats, transporting imagery of neo-futuristic tokyo streets. as night sets in, so does the kinetic groove of oyasumi, which twirls layers of energetic movement into a thick current, zooming through the citys deep gorges of concrete and fiber glass. closing track data entry 4590 finally provides some soothing ambient tones of melancholic longing, inviting to slowly drift away into white-washed nothingness and process the bright color storm that viers lets unfold on this intense record.

this is a great sophomore effort by this scottish outfit. the singer has a unique semi-quavering voice with a melodramatic quality that suits the music and would equally suit him on stage in a musical. some songs are aggressive but with a dark hue. opening cut -a leaving song- finds sutherland carving his way through jangly and buzzing guitars set to a skittery beat with a touch of the theatrical. closing is -home-, a forlorn ballad with sutherland delicately pleading -please let me come home-, elegiac and sweet.

following on from the runaway success of le-edits number 1, dimitri eases us into 2018 with style and grace by presenting us with another fine set of reworkings from deep within the vaults. in this era of cheap and nasty bootlegs, badly looped breakdowns and bedroom producers butchering the classics with no soul or quality control it was time for a change, an antidote. le-edits is exactly that, a platform for dimitri to express his appreciation of this most influential musical artform in the best way possible - utilising the master tapes, pressing onto virgin vinyl, taking extra care with the label aesthetics and everything else in-between. what you hold in your hands is a labour of love, a journey! once the needle hits the groove and you re immersed in the music it will all make sense, you will feel the force of the chic in the music!

brooklyn’s dither down records presents galaxians debut long player let the rhythm in, available now on limited edition double gatefold heavyweight vinyl and download. firmly rooted in the club culture and dance lineage of their hometown leeds, ltri s eight tracks bristle and pulse with the same energy that the band s live performances have become well know for. the album s soulful, muscular sound resonates with a raw playfulness, and with the addition of singer emma mason in 2016 the band have forged a path to a sound steeped in the tradition of new york disco and boogie heavyweights such as inner life, gwen guthrie, and producer/writer leroy burgess.

a true holy grail from the cloud one catalog, dont let my rainbow pass me by is the third of a string of titles on golden flamingo produced by the p&p duo of patrick adams and peter brown and featuring vocals from guardian angel singer margot williams. similar to previous cloud ones productions, this record had all the elements of a patrick adams classic, but with vocal arrangements that foreshadowed the work he would do with inner life and jocelyn brown at salsoul. perhaps not so much of a concidence then that margot williams would provide backing vocals on inner lifes second and final album. even though it was originally released in 1981, dont let my rainbow pass me by is still championed by high-profile deejays today. over the years, its been notably sampled in basement jaxxs romeo and covered by todd terje and prins thomas in reinbagan as a dub-disco cut. available for the first time since its original release, our only piece of advise is to don’t let this classic pass you by.

being closely connected to the label, it was only a matter of time before daniele cosmo was released on pinkman. at long last, he makes his debut appearance with co-conspirator cco as savage grounds. what they came up with is a tight two tracker presenting full speed, minimalistic punk electro workouts. both tracks, while boasting with furiosity and dread, as is often the case in the broken dreams releases, carry an infectious groove that is guaranteed to get bodies moving in the highest gear and right into the abyss. pressed on a single 7- this concise release is far from falling short in completeness, expertise and potential to break dreams.

beautiful melodic driving techno by hiver. especially the title track stands out with a killer remix from jp enfant that adds some bottom weight and masculanity to the original! the italian pair of giuseppe albrizio and sergio caio recently released on belgium s curle label, and this ep confirms their talent. three original tracks ranging from driving techno to electro-tinged broken beat territory, with watery sound design, liquid keys and icy hi hats getting you into a trance. nice!!

two house classics re-pressed on this 12 inch! / 1 per customer

its not always about super rares, we got to cover those lp tracks as well. how this never made it onto a 45 ill never know. michael henderson s brilliant let love enter has always been an underground classic and is about to get a fire lit under it once again, simply the finest brazilian influenced soul jazz fusion. michael s bass playing, vocals and production are all over modern american black music, having played for miles davis. norman connors, marvin gaye, stevie wonder to name just a few, his influence is huge right through the industry as well being a million selling artist himself. you can still here his bass sampled in many a hip-hop track to this day.

american electro rap legend kyper checks in with the german label ground control.
produced by the brazilian bass connection (bbc) aka heliobranco and tom oliver, the new song let the bass come out clear delivers a shameless old school miami bass orgy with heavy 808 beats, 80s style rapping, vocoder vocal bits and fresh scratching.
the perfect choice for a remixer comes with miami bass heavyweight debonaire, who also produced classics with legendary groups maggotron and dynamix ii, taking the song to the next level of bass boom. turn up the bass!

excellent electro / disco classic tune !!

ltd reissue - classic

what started out as a simple email exchange between a young, hungry beatmaker and a seasoned player in the worlds of jazz and midwestern indie hip-hop, has resulted in a vibrant record nearly a decade in the making. on one side of let it out sits miles bonny, a long time musical collaborator who spent his youth soaking in powerful musical moments in nyc under the tutelage of his trumpet-slinging father, francis bonny, and later as a teen immersed in new york s busy indie-hip-hop scene. as he grew up miles cemented himself a niche in the midwest, most notably in lawrence, kansas where tireless forays into beatmaking led to the founding of the much-loved innatesounds crew and record label, as well as a series of solo releases and collaborative projects.

where shall it go, black truffle presents the 8th full-length release from the trio of keiji haino, jim o’rourke and oren ambarchi.

paul johnson retruns on his own chiwax series! volume 6 is no other than the classic from 1994, called -let me know-.
originally released on cajual records. now this beauty is back & remastered on black solid vinyl - worth to check!

best disco grooves on ds records

amsterdam s let recordings is back for a sixth release, titled communication , this time by jon hester. hester hails from chicago and minneapolis, and is now based in berlin. eps on dystopian and rekids spx have established him with a loopy and hypnotic techno sound that fits perfectly with let.

james bond - original motion picture soundtrack

einzelkind and charlotte t. are proud to present brand spankin’ new label harlo records. kicking things off in style with this first release: vienna’s secret weapon paul walter and sensual records regular dario reimann on the remix tip. anthem alert !!!

hip hop classics from ll cool j 1985